Today we worked independently and looked at how to block one of our monologues. We started by answering some questions about our character and about the setting of the monologue.
We then used a technique created by Max Stafford Clark called Actioning, this is when you act out the words of the monologue. We did this by pointing at our selves or other characters in the scene, this helped me visualise the scene and work out were people are stood. And also which words I should emphasise. We used a technique called Walking the Line, this helped me focus on the punctuation in the monologue. When I should pause or slow down to emphasise words. Overall I found these exercise really useful for working out how to perform my monologues, and how to block them when I am at home and don't have the other actors with me.
We then briefly looked at Egeus monologue in scene 1. We made it more humorous by keeping in his pointing actions because he is constantly pointing at different characters in the scene. We also added in some looks between my character and Lysander, we then received feedback from the audience saying that the looks between us was very effective and cute because it shows that we are madly in love with each other.
Tuesday, 29 April 2014
Thursday, 24 April 2014
24th April
Today we started be getting into groups and roughly blocking scene 1 and 2. My group was given scene 2, we decided to shorten down scene 2 and perform it in Modern English so that the class can understand what the scene is about. I think our scene could have used a lot more enthusiasm and movement, because the characters weren't very strong, however the audience could clearly see the intention of the scene.
We then as a class looked into how to block scenes in the round. Because we will be performing in the round we need to think about how we perform so that people can clearly see at least half of the faces of the performs who are on stage. We used an exercise that the Royal Shakespeare Company use called balancing the plate. When blocking scenes we need to think about standing in triangles so that the audience can see the majority of the actors on stage.
After that we looked at some themes that run through a Midsummer Night's Dream.
Then we split off into groups and talked more in-depth about the most common themes in the play. My group was given Order and Chaos. I think the main part in the story were there is order is at the end, when Puck gives his monologue telling the audience that he has restored order to Athens. I think this because he is clearing up all the chaos that he has coursed during the play.
We then blocked scene 1. When Egeus, Lysander, Demetrius and Hermia walk in, we decided because Theseus is a Duke that when we enter we should bow, this intimately shows the audience that we are a lower statues than him. Then when Egeus introduces us we stand up, this clearly shows the audience who we are.
We then as a class looked into how to block scenes in the round. Because we will be performing in the round we need to think about how we perform so that people can clearly see at least half of the faces of the performs who are on stage. We used an exercise that the Royal Shakespeare Company use called balancing the plate. When blocking scenes we need to think about standing in triangles so that the audience can see the majority of the actors on stage.
After that we looked at some themes that run through a Midsummer Night's Dream.
Then we split off into groups and talked more in-depth about the most common themes in the play. My group was given Order and Chaos. I think the main part in the story were there is order is at the end, when Puck gives his monologue telling the audience that he has restored order to Athens. I think this because he is clearing up all the chaos that he has coursed during the play.
We then blocked scene 1. When Egeus, Lysander, Demetrius and Hermia walk in, we decided because Theseus is a Duke that when we enter we should bow, this intimately shows the audience that we are a lower statues than him. Then when Egeus introduces us we stand up, this clearly shows the audience who we are.
Tuesday, 22 April 2014
22nd April
We started the lesson by reading through scene 1 and 2. As a class we all discussed what was happening in each scene and a bit about each character. We also jotted down some words that we didn't know and put them into a list so we could look them up for homework.
We then played an improvisation game called the shed game. What we had to do was go into the middle of the circle and ask if we can help to build a shed, but we all had to do it as different characters. We created these characters by using our voice and body, then the people in the middle of the circle had to copy your characters mannerisms. I decided to take inspiration from an animal and walk into the middle like a penguin. This game demonstrated a variety of different performance styles that we could use within classical theatre. For example, Bottom turns into a donkey therefore he is going to have to research different animal gesture that he can do to physically show the audience that he is now a donkey.
Then we split off into groups and blocked the scenes. Fran and I worked on the part of scene 1 when Helena walked in. We started by performing the scene a few different ways and seeing which way looked best and felt best. The first way we tried out was acting it out like an argument, I think this way was very strong however I thought Helena and Hermia were more friendlier than that. So we tried out doing it very overly friendly but that wasn't as strong as the first time we did it. However we started the scene by hugging and that did work really well. So we tried doing it as Helena was quite angry and I was trying to calm her down. I think this worked best because the scene was very strong but also portrayed to the audience that we are friends. We then decided to play around with movement and levels to make the scene look more interesting, for this we used a chair. When Fran is ranting at me I sat down on the chair, this shows that she has the power. Then when I say Take Comfort, I sit her down on the chair and I kneel down next to her, this shows the audience that we are on the same leave and that I am trying to calm her down and comfort her.
We then played an improvisation game called the shed game. What we had to do was go into the middle of the circle and ask if we can help to build a shed, but we all had to do it as different characters. We created these characters by using our voice and body, then the people in the middle of the circle had to copy your characters mannerisms. I decided to take inspiration from an animal and walk into the middle like a penguin. This game demonstrated a variety of different performance styles that we could use within classical theatre. For example, Bottom turns into a donkey therefore he is going to have to research different animal gesture that he can do to physically show the audience that he is now a donkey.
Then we split off into groups and blocked the scenes. Fran and I worked on the part of scene 1 when Helena walked in. We started by performing the scene a few different ways and seeing which way looked best and felt best. The first way we tried out was acting it out like an argument, I think this way was very strong however I thought Helena and Hermia were more friendlier than that. So we tried out doing it very overly friendly but that wasn't as strong as the first time we did it. However we started the scene by hugging and that did work really well. So we tried doing it as Helena was quite angry and I was trying to calm her down. I think this worked best because the scene was very strong but also portrayed to the audience that we are friends. We then decided to play around with movement and levels to make the scene look more interesting, for this we used a chair. When Fran is ranting at me I sat down on the chair, this shows that she has the power. Then when I say Take Comfort, I sit her down on the chair and I kneel down next to her, this shows the audience that we are on the same leave and that I am trying to calm her down and comfort her.
Thursday, 3 April 2014
3rd April 2014
We started the lesson by playing a game where we were given many different actors and we had to put them in groups, we decided to put them into categories of different genres. Then we had to decide which actors had performed Shakespeare, we were correct because we guessed that all of them had. From this exercise I learnt that anyone can do Shakespeare no matter what type of acting background they have.
We then rehearsed and performed our Reduced Shakespeare piece. I think by making the language simple and clear the audience could really understand what we were doing and what the storyline was. We spent the rest of the lesson rehearsing and showing back our monologues.
We then rehearsed and performed our Reduced Shakespeare piece. I think by making the language simple and clear the audience could really understand what we were doing and what the storyline was. We spent the rest of the lesson rehearsing and showing back our monologues.
Wednesday, 2 April 2014
2nd April
Today we learnt about putting emotion behind words. As Shakespearian language is quite hard to understand sometimes, it is important to use emotion behind words. So that the mean comes across clearly to the audience. We started by splitting off into pairs and shouting insults at each other. We started to add movement and physical theatre, in my pair Fran and I decided to circle around each other, this will work well if we were to perform the scene in the round because it allows all the audience to see our facial expressions and also built a lot of tension.
We then used the insults we had collected as homework to make a scene. For our scene we decided to have 2 rival families that have trespassed on Fran and I's land. I think after showing it back that our scene needed more emotion and movement which would have helped the audience understand the insults and story line.
We used the Reduced Shakespeare Company as stimuli and devised a 5 minute long version of A Midsummer Night's Dream, this helped people understand the story line more and also how the characters are related. I suggested that we keep it very Brectian and we discussed wearing signs with our characters name on it so that the audience can clearly see who we are.
We then used the insults we had collected as homework to make a scene. For our scene we decided to have 2 rival families that have trespassed on Fran and I's land. I think after showing it back that our scene needed more emotion and movement which would have helped the audience understand the insults and story line.
We used the Reduced Shakespeare Company as stimuli and devised a 5 minute long version of A Midsummer Night's Dream, this helped people understand the story line more and also how the characters are related. I suggested that we keep it very Brectian and we discussed wearing signs with our characters name on it so that the audience can clearly see who we are.
Tuesday, 1 April 2014
1st April
We started the lesson by writing down all the general knowledge we knew about classical theatre and discussing common themes and characters used in classical theatre.
We then split off into groups and were given story lines and had to put them into categories for which TV show we thought they were from. In the end we found out that all the story lines were used by Shakespeare. From this activity I learnt how transferable Shakespeare's story lines are, I also learnt that the play they are performing in A Midsummer Night's Dream is based on Romeo and Juliet.
We then learnt to count to 10 in Turkish. By doing this exercise we learnt how to pick up a different language, because it is harder to learn Shakespearian lines than regular British lines. So you have to learn them as if you are learning a different language.
Then in a group we wrote down 10 different techniques we use to learn lines.
We then picked which method we used and found most effective, doing this exercise helped me see what other techniques I could use for when I am learning my lines. Because when I learnt to speck Turkish I used the Sequence Method and I found that really effective, so maybe when I start learning my lines I could try out that method.
Subscribe to:
Posts (Atom)